belgrad

XAOC Devices Belgrad

Dual peak analog state variable filter with wild character

14 HP Eurorack module

Belgrad is an all-analog dual-core state variable filter for Eurorack, featuring two resonant peaks whose frequency distance, balance, and character can be continuously voltage-controlled. It offers ten distinct filter responses ranging from lowpass to highpass with exotic intermediate modes, and includes nonlinear feedback and cross-modulation features that push it well beyond conventional subtractive filtering into expressive, vocal, and chaotic sonic territory.

Features

  • All-analog dual-core state variable filter design
  • 10 distinct frequency responses from lowpass to highpass
  • Two simultaneous resonant peaks
  • Span control for symmetrical detuning of filter cores up to nearly eight octaves
  • Balance control for asymmetric resonance emphasis between the two peaks
  • Wide tuning range approximately 4Hz to 28kHz
  • V/octave tracking input for musical pitch control
  • FM input with illuminated attenuator slider
  • Span CV input with illuminated attenuator
  • Resonance CV input (0 to 8V)
  • Balance CV input (bipolar -5V to +5V)
  • Self-oscillation with approximately 5-octave V/oct tracking

Controls & Jacks (17)

  • Main Input— Main audio signal input to the filter
  • Balance CV— Bipolar (-5V to +5V) control voltage input for peak balance symmetry
  • Frequency— Sets the center frequency of both filter cores in the range of approximately 4Hz to 28kHz
  • Span— Controls the nonlinear detuning between the two filter cores, creating formant-like responses with a range of nearly eight octaves
  • Resonance CV— Control voltage input for resonance (0 to 8V range)
  • V/Oct— Voltage-per-octave control input for frequency tracking
  • Level— Controls the amplitude of the signal fed into the filter from the main input, with overdrive capability
  • FM Attenuator— Illuminated slider that attenuates the FM modulation input signal
  • Main Output— Processed audio signal output from the filter
  • FM— Frequency modulation input, attenuated by the FM slider
  • Span CV— Bipolar (-5V to +5V) control voltage input for span detuning, scaled by the span attenuator
  • Balance— Sets the emphasis balance between the two resonant peaks, from lower peak domination through symmetry to upper peak domination
  • TITO— Toggles between neutral, self-modulation (SM), and cross-modulation (XM) for internal audio-rate coupling and nonlinear effects
  • TITO— Toggles between neutral, self-modulation (SM), and cross-modulation (XM) for internal audio-rate coupling and nonlinear effects
  • Resonance— Controls the overall degree of resonance; at around position 8 the filter begins to self-oscillate
  • Mode— Rotary switch selecting one of ten unique filter responses, from lowpass to highpass with exotic responses in intermediate positions
  • Span— Controls the nonlinear detuning between the two filter cores, creating formant-like responses with a range of nearly eight octaves

How-To Guides

  • Vocal Formant Sweep
  • Self-Oscillating Dual VCO
  • Variable Phaser or Double Notch
  • Drum Transient Mangler with XM
  • Chaotic Self-Oscillation in HH or BH
  • Sweeping Band Rejection Filter
  • 4-Pole to 2-Pole Lowpass Morph
  • Bass Fattening with Input Overdrive
  • Dynamic Resonance Envelope
  • Asymmetric Balance Formant Voice

Explore the interactive Belgrad panel on BleepDex — tap any control to learn what it does.

8c571ce